© May Makki 2025
May Makki is an independent curator and writer specializing in performance, moving-image, and sound-based practices. Focusing on new commissions and working closely with living artists, she is particularly invested in the infrastructural possibilities of exhibition-making and considering the communities, economies, and technologies that develop alongside works of art. 

She is Co-Curator of the 2026 Diriyah Contemporary Biennale, where she commissioned public works by Agustina Woodgate and Yussef Agbo-Ola and stewarded major loans by artists including Petrit Halilaj, Nour Mobarak, Nancy Mounir, and Daniel Lind-Ramos.

From 2022 to 2025, she was part of the curatorial team of the Department of Media and Performance at The Museum of Modern Art, New York, where she curated exhibitions and screenings such as Martin Beck: Last Night, An Evening with Haig Aivazian, and the collection display of works by Tala Madani

Previously, she served in curatorial and research roles at Abrons Arts Center, the Wallach Art Gallery at Columbia University, and MoMA PS1. She holds an MA from the Center for Curatorial Studies at Bard College and a BA from the University of Chicago. 

may.makki@gmail.com

JJJJJerome Ellis: Loops of Retreat

May 25-July 22, 2023
Sweet Pass Sculpture Park with support from Dallas Contemporary 

In his album The Clearing (2021), the JJJJJerome Ellis imagines his block stutter to be a point of departure for examining the relationship between music, blackness, disabled speech, and time. The artist's stutter manifests as intervals of silence in his speech. He calls these intervals “clearings,” which shift from compositional tool to metaphor to disruptor of “conventional” time as the album unfolds. For this exhibition, the opening track from the album was presented as an immersive audio and video environment in SP2. Through musical and textual references alike, Ellis expanded on Harriet Jacobs’ concept of the “loophole of retreat,” exploring practices of refusal in Black speech and music. Ellis says of The Clearing: “I hope this album offers the listener some of what my stutter offers me: an opportunity to imagine new ways of being in time.”

The installation was presented in conjunction with a live improvisation by the artist on May 25th, 2023, produced with support from Dallas Contemporary, which reflected Ellis’ research into how themes explored in The Clearing come into contact with ecology. Drawing on materials collected for his book Aster of Ceremonies (September 2023), Ellis sensitively transformed archival material of so-called “runaway slave advertisements,” into an open-ended song for Black ancestors moving through 19th century Virginia. Reimagining these figures as plants in bloom, he sang for their safety, considering the relationship between ecology and practices of freedom. 

Photo: Trey Burns 2023. Courtesy Trey Burns and Sweet Pass Sculpture Park.